The Essential Haiku

The Essential Haiku

Versions of Basho, Buson, and Issa

Book - 1994
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Baker & Taylor
Collects the best poems of the three greatest haiku poets, Matsuo Basho of the seventeenth century, Yosa Buson of the eighteenth, and Kobayashi Issa of the nineteenth, along with an informative introduction, prose selections, and notes.

Book News
A collection of the three greatest masters of haiku Basho (17th century), Buson (18th century), and Issa (19th century) chosen, translated, and introduced by the distinguished American poet Robert Haas. Published by The Ecco Press, 100 West Broad St., Hopewell, NJ 08525. Annotation copyright Book News, Inc. Portland, Or.

Blackwell North Amer

American readers have been fascinated, since their exposure to Japanese culture late in the nineteenth century, with the brief Japanese poem called the hokku or haiku. The seventeen-syllable form is rooted in a Japanese tradition of close observation of nature, of making poetry from subtle suggestion. Infused by its great practitioners with the spirit of Zen Buddhism, the haiku has served as an example of the power of direct observation to the first generation of American modernist poets like Ezra Pound and William Carlos Williams and also as an example of spontaneity and Zen alertness to the new poets of the 1950's.

This definite collection brings together in fresh translations by an American poet the essential poems of the three greatest masters: Matsuo Basho in the seventeenth century; Yosa Buson in the eighteenth century; and Kobayashi Issa in the early nineteenth century. Robert Haas has written a lively and informed introduction, provided brief examples by each poet of their work in the halibun, or poetic prose form, and included informal notes to the poems. This is a useful and inspiring addition to The Essential Poets series.

& Taylor

Gathers selected poems by three Japanese haiku masters

Publisher: Hopewell, N.J. : Ecco Press, 1994
ISBN: 9780880013727
Characteristics: xvi, 329 p. ; 20 cm


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Oct 03, 2017

Haiku- the original imagist poetry, a genre for our attention-span-shriveled age! I wonder if its popularity is dwindling along with mainstream poetry. [Poetry was always unpopular but now it's "Poe who?".]
It also offers analysis, which is academic is both senses of the word. The only question about haiku worth analysis is, 'Is the essence, or even much of its impact, lost in translation?' And I've never seen any critic even attempt to answer that one.
Like most collections, you're sure to find a few jewels, so read it already.


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